{"id":5101,"date":"2022-07-04T05:39:34","date_gmt":"2022-07-04T05:39:34","guid":{"rendered":"https:\/\/youngadventists.org\/?p=5101"},"modified":"2022-07-04T05:39:41","modified_gmt":"2022-07-04T05:39:41","slug":"cornel-west-sees-a-spiritual-decay-in-the-culture","status":"publish","type":"post","link":"https:\/\/youngadventists.org\/explore\/cornel-west-sees-a-spiritual-decay-in-the-culture\/","title":{"rendered":"Cornel West sees a spiritual decay in the culture"},"content":{"rendered":"\n
A few days after I first spoke with\u00a0Cornel West<\/a>, one of the pre\u00ebminent public philosophers in America for three decades now, he gave a\u00a0short, impromptu interview<\/a>\u00a0to the gossip-and-celebrity-news outlet TMZ. West was in Los Angeles, at the Sunset Plaza mall, and a TMZ reporter, recognizing him, asked for his thoughts on a comment made by Kanye West, who had recently insisted that Black History Month should be forever changed to \u201cBlack Future Month.\u201d Kanye\u2019s notion was that we\u2019ve talked enough about slavery and the sundry other horrors of the past. \u201cOhhh, Kanye\u2019s wrong,\u201d West\u2014Cornel, that is\u2014told TMZ. \u201cEvery performance is the authorizing of a future, in the midst of the present, trying to recover the best of the past,\u201d he said, rattling off the tripartite thought quickly and with high animation, as if he\u2019d practiced it many times before, waiting for just this moment. \u201cYou get that in Kanye\u2019s music, but you don\u2019t get it in his rhetoric. There\u2019s a sense in which his artistry is much more profound than his\u00a0rhetoric<\/em>.\u201d The second time he said \u201crhetoric,\u201d West forced his voice into a half-melodic and fully ironic sigh that he sometimes uses to punctuate a funny phrase. In answer to Kanye, and to others who might harbor the fantasy of a purely futuristic Blackness, West said that \u201cas long as white supremacy\u2019s around, you\u2019re going to have the need to stress Black love, Black dignity, Black history\u2014those things that are being excluded and rendered silent!\u201d<\/p>\n\n\n\n The quick tabloid-media encounter served as a neat encapsulation of what makes West\u2019s career and comportment unique. He is a product, and a longtime inhabitant, of the academy, having taught in tenured positions at Harvard, Yale, Princeton, and Union Seminary. But he has made it a point of pride to apply his analysis to popular culture and, on occasion, to do so in popular forums. After writing academic manifestos such as \u201cProphesy Deliverance!: An Afro-American Revolutionary Christianity<\/a>\u201d (1982), he achieved a new degree of fame with \u201cRace Matters<\/a>,\u201d from 1993, a collection of self-consciously populist essays addressing such hot-button topics as the Rodney King riots, affirmative action, and Black-Jewish relations. More recently, he joined the online adult-education behemoth\u00a0MasterClass<\/a>\u00a0to teach a course on philosophy. In both 2016 and 2020, he served as a tireless surrogate for Bernie Sanders\u2019s Presidential campaign, delivering stem-winders across the country.<\/p>\n\n\n\n When we spoke, he was in California, preparing to return to New York to resume teaching at Union Seminary, the place where he started his teaching career, in 1977. Last year, West got into a dispute with Harvard, where he had been a tenured professor more than a decade earlier, about receiving tenure again; he ultimately resigned, and used the occasion to comment on<\/a> the \u201cdecline and decay\u201d and \u201cspiritual bankruptcy\u201d in \u00e9lite academia. The pointed note, addressed to his Harvard dean, opened in a cordial way: \u201cI hope and pray you and your family are well! This summer is a scorcher!\u201d It was characteristic of West, who often begins conversations that way, allowing them to radiate outward from the personal and the near at hand. He started our chat by asking after my family, and then about a book I\u2019m writing, about R. & B. music\u2014which I\u2019d mentioned, over e-mail, in a brazen bit of brownnosing, since West, in his rollicking lectures, uses music (John Coltrane, Ella Fitzgerald, Curtis Mayfield, and on and on) as a symbol and a model for his ruminations on religion, politics, and race. The rest of our conversation seemed to proceed under the awning of that warm familiarity, as we discussed the crisis in secular confidence, the meaning of public philosophy, the seeming convergence of radical and reactionary attitudes toward American interventionism, and many other things. We spoke twice: once, at length, before Russia\u2019s invasion<\/a> of Ukraine, and once, briefly, afterward. The interview has been edited for length and clarity.<\/p>\n\n\n\n cornel west<\/em>: How\u2019re your loved ones, man?<\/p>\n\n\n\n Everybody\u2019s good, thank God. It\u2019s just trying to keep track of everybody, you know?<\/strong><\/p>\n\n\n\n No, I hear you. Brother, you\u2019re writing a book on rhythm and blues, man?<\/p>\n\n\n\n Yes, sir.<\/strong><\/p>\n\n\n\n Jesus.<\/p>\n\n\n\n Well, it\u2019s still coming together. I\u2019m finishing up a novel first. I\u2019m just, right now, deep in research, and thinking about\u2014I mean, a lot of the things that you talk about: how R. & B. is love music, that it\u2019s about bringing together communities.<\/strong><\/p>\n\n\n\n Absolutely, man. Oh, that\u2019s beautiful. And what is your novel about?<\/p>\n\n\n\n Well, as a young man, I worked on the Obama campaign\u2014I actually met you while I was doing that.<\/strong><\/p>\n\n\n\n Is that right? Which city, which town?<\/p>\n\n\n\n In New York. I was on the fund-raising team, and you did an event for Obama at the Apollo.<\/strong><\/p>\n\n\n\n Oh, I remember that.<\/p>\n\n\n\n I was backstage, and you greeted me very warmly. Of course, I was the youngest and meekest person around. But I\u2019ve never forgotten that. The book is about a young man working on a Presidential campaign and thinking about his religion and his changing ideas about politics and the country\u2014things like that.<\/strong><\/p>\n\n\n\n And where were you born and raised and reared, my brother?<\/p>\n\n\n\n I was born in New York City. My parents met at a Baptist church. My dad was a musician. My mom was a singer in the choir, and he was a choir director and organ player.<\/strong><\/p>\n\n\n\n Wow. Which church was it?<\/p>\n\n\n\n White Rock Baptist Church, on a Hundred and Twenty-seventh.<\/strong><\/p>\n\n\n\n Oh, that\u2019s Ashford and Simpson<\/a>.<\/p>\n\n\n\n Ashford and Simpson, that\u2019s right. A lot of my mom\u2019s friends knew them very well.<\/strong><\/p>\n\n\n\n Lord. You got so much nobility coming out of White Rock, man.<\/p>\n\n\n\n All the time, when I was a kid, somebody would show up on the TV and my mom would say, \u201cYou know they came to White Rock and sang.\u201d Have you visited there a lot?<\/strong><\/p>\n\n\n\n I mean, I\u2019ve been there, but I just remember reading all of the works on Nickolas and Val. And, when we finally met, we did a special thing at\u2014I think it was the Schomburg or the Apollo, I can\u2019t remember. Both of them were working with Maya Angelou.<\/p>\n\n\n\n